

HELLO. I’m TECH. 3D Artist , Designer , Director.
JW25 – Echoes Observed
DISCORD COMMUNITY CLUB EVENT JAPALOWIRE25 FLAVOR MOVIE JW25 – Echoes Observed DIRECTED BY TECH.
LOGO DESIGN BY hapio
SHIP CONCEPT DESIGN BY 2g
— Track : Echoes Observed – TECH.
魔女(真) sinka ver / V.W.P #28
TVアニメ「神椿市建設中。」 12話エンディングテーマ V.W.P「魔女(真) sinka ver 」MV
3D背景を担当しました。
Director : Kenji Kawasaki
CG Artist : Eiji Takada, TECH., Q-taro
LAZARUS Ending
アニメ『LAZARUS ラザロ』のエンディングの3D背景を担当しました。
Director: Mai Yoneyama

CENTRAL MUSIC & ENTERTAINMENT FESTIVAL 2025 – VIVAL
CENTRAL MUSIC & ENTERTAINMENT FESTIVAL 2025 『VIVAL』 バーチャルのステージデザイン・モデリングを担当しました。
Director: Takaomi
Engineer: Ayano / rakurai
Production : eallin Japan

美しき凶器 装画
著/東野圭吾
装画を制作しました。
Production : 光文社

VEE Presents “Seek the Brilliance”
I handled art direction and stage modeling for “Seek the Brilliance”, a planetarium music event by the Vtuber team VEE.
The 3D VR environment was projected onto the planetarium dome.
Production : eallin Japan
Concept #05
I fine-tuned a Lancia Stratos, completing all 3D modeling myself.


IMPAGINAZIONE experimento
My Artwork for Milan-based designer Miro Rossin.(@ied_milano)
experimentomagazine

JAPALOWIRE23
I directed the club event JAPALOWIRE at Aoyama-Hachi and produced a promotional video for the event.
Movie | Track / TECH.
Concept #04
Date of manufacture: Unknown
Condition: Buried in sand when discovered, but carefully cleaned using a F.O.R.M. (Foreign Object Restoration Machine)


Concept #03
Date of manufacture: Unknown
Condition: Buried in sand when discovered, but carefully cleaned using a F.O.R.M. (Foreign Object Restoration Machine)
Concept #02
Date of manufacture: Unknown
Condition: Buried in sand when discovered, but carefully cleaned using a F.O.R.M. (Foreign Object Restoration Machine)
Concept #01
In the year 2XXX, as artificial intelligence technology advanced, humanity disappeared, leaving only androids behind.
One day, however, a group of androids began collecting clothes — the few that were still scattered across the country — in an attempt to stimulate their senses.
They became fascinated with unearthing and preserving the garments once cherished by humans.
Studying the history and cultural background of these clothes, they sought to understand what they had meant to the people who wore them, and gradually began adapting the pieces to fit their own bodies.
Eventually, their passion for clothing became their raison d’être.
They reexamined the value of human possessions and developed their own designs and styles as a means of expressing their unique sensibilities and aesthetics.
The androids learned how to wear clothing from fragmentary data that had survived from that era, giving their fashion a distinctive, unconventional look.
One such depiction shows them carrying two crossed-out, empty bags — not meant to hold anything — and wearing a thin sleeveless shirt layered over a down jacket originally designed to provide warmth.

Apex Legends Mobile PR Art
I created campaign art for Electronic Arts’ Apex Legends Mobile.
I was responsible for the artwork featuring the mobile-exclusive character, Fade, as well as the newly released weapon skins.

CyberPunk:Edgerunners
I was responsible for a part of the 3DCG in the ending animation of Cyberpunk: Edgerunners, produced by TRIGGER.
https://www.cyberpunk.net/ja/edgerunners
[Ending Animation credit]
Director/Storyboard/Color Planning/Composite:
Mai Yoneyama
Assistant Color Planning/Color Checker/Paint: Yui Ito
3DCG: YUSUKE YAMADA,TECH.
Ending Work: Shunsuke Shida
Editors: Kasumi Shibata,Kazuki Takahashi


ASH Anticovid19 Skin
This work was created for the Comiket 100 APEX book “Apex”, an illustration collection by the Mika Pikazo.
It showcases fan-made skins for Ash under the theme “Season 19: VIRUS”, a fictional APEX game centered around a virus.
artwork by TECH.
Re\arise – SSS PV
I produced a promotional video and music for Re\arise, an exhibition by SSS by Applibot, an amazing team of Japanese creators.
Movie/ Music : Tech.
Logo design :有馬トモユキ
AIR MECHA GIN MAX 95
This piece was created for TAROU’S KICKS Vol.3, an illustration book by my favorite animator and illustrator, tarou2.
I 3D-scanned my classic sneakers, the Nike Air Max 95, retopologized the model, and redesigned it with new details.


YOKU – Eve MV
I worked on several cuts of the music video “Eve – YOKU”, directed by Mai Yoneyama.
[credit]
Vocal:Eve
Lyrics/Music:Eve
Arrangement:Numa
◇Animation Director/Storyboard/Character Design/Main Animator : Yoneyama Mai
Compositor / VFX : tyao
Background Art : Ozaki Imari
YOKU effect Animation : Inaba Hideki
CG Design : reika, Yamada Yusuke, TECH.
Color Design/Color Checks/Painter : Ito Yui
Key Animator : Nakamura Mayumi, tarou2, Rio, Chutana, syoiti, Majiro, Miyaso
In-Between Animation : WIT STUDIO, TRIGGER, OLM, Studio EIGHT COLORS
Production : P.I.C.S
Production Manager : Matsutake Nao, Yamamoto Ruka
ちきゅう大爆発/P丸様。
I worked on multiple cuts of the music video for the Japanese singer P-Maru-sama.
[credit]
Vocal:P丸様。
Words&Music&Arrange:ピノキオピー
Director:Satoru Ohno (THINKR)
Technical Director / 3D Λrtist :F A T I M A
Visual Creator : Hironobu Nagasawa,pm21,Satoru Ohno, TECH.,ReeeznD,いがきち,こんぶ,すもるめ,のんたん,はちの Illustration (pm21 Part) :Koharu Yamashita
Production Manager : Activ8 Inc.

Sevnzel – #424D99
Illustrator Sevnzel created a 3D damage counter for his art comic #424D99,
and I produced an image track for the #424D99 EXHIBITION GOSPEL 01 JAPAN TOUR held at Sendagaya Atmos.
Future Snap – 01
This project is about 3D modeling and the pursuit of the ideal clothing and design.
I infused it with the sci-fi ideas and visions that exist in my mind.












